Serge Clément’s photography practice is one of questioning, research, and creativity. His approach, offering poetic and disturbing images, ranges from documentary to installation, including social commentary, poetic account, and photographic essay. Clément’s works have been in solo exhibitions in Europe, Hong Kong, and Canada. He has published a number of photobooks, including Dépaysé (Kehrer Verlag, 2014), courant ~ contre-courants (Marval, 2007), and Sutures – Berlin 2000-2003 (Les 400 coups, 2003), as well as self-published books (éditions Mai 50): NàY (2011), au Passage Patience (2007). He resides in Montreal, Quebec.